Labels

photo (75) video (61) sydney (37) australia (35) animal (30) observation (25) nokia (24) cell phone (18) mobile phone (18) cemetery (17) n95 (16) graffiti (13) DVDs (11) festival (11) web 2.0 (11) art (10) plants (10) aftrs (9) cloud (9) film (9) sport (9) weather (9) weekend wondering (9) bird (8) camera (7) christmas (7) food (7) music (7) panorama (7) social (7) writing (7) travel (6) youtube (6) flower (5) holiday (5) march (5) new year (5) protest (5) timelapse (5) angel (4) apec (4) booze (4) embed (4) headstone (4) insect (4) network (4) phone (4) politics (4) sculpture (4) storm (4) summer (4) water (4) beach (3) desalinisation (3) fashion (3) google (3) gps (3) grave (3) horizon (3) humour (3) ladybug (3) macro (3) media (3) melbourne (3) rain (3) winter (3) bleach (2) car (2) cat (2) duck (2) easter (2) evanescence (2) fear (2) global (2) newtown (2) nuclear (2) party (2) photoshop (2) sea (2) season (2) seasons (2) surf (2) walk (2) warming (2) wifi (2) ad sence (1) advertising (1) anime (1) antique (1) architecture (1) blood (1) blue mountains (1) boat (1) canon (1) detergent (1) dream career (1) eco (1) environmental (1) facebook (1) film school (1) fireworks (1) gay (1) geotagging (1) govenment (1) greek (1) green (1) history (1) japan (1) jogging (1) london (1) lyrics (1) mardi gra (1) marketing (1) networking (1) ocean (1) office (1) park (1) plane (1) poetry (1) race (1) review (1) sick (1) soccer (1) software (1) solar (1) song (1) story (1) sunrise (1) sunset (1) swim (1) swimming (1) tax (1) tv (1) viral (1) walking (1)

Sunday, May 31, 2009

Last weeks DVD's were...

American Gothic
Loved it when I first saw it in the nineties. I didn't realize that Sam Raimi was involved.
The series starts a little slow, but properly kicks in round the forth disk.
Looks like Twin Peaks had a bit of an influence.
Kinda weird working through the disks and watching the format get whittled at by the film makers.
http://en.wikipedia.org/wiki/American_Gothic_(TV_series)

http://www.imdb.com/title/tt0111880/




Attack of the Killer Tomatoes
Classic!
http://en.wikipedia.org/wiki/Attack_of_the_Killer_Tomatoes
http://www.imdb.com/title/tt0080391/


Sunday, May 24, 2009

Was watching last week...




Party Animals
 Likable cast, and I dig stories about politics. Good cinematography with lots of tracking actors down corridors, and regular use of depth of field to separate characters from busy backgrounds. 
Good pedigree too.

Six degrees of separation for Party Animals...
  1. This Life (same producers) http://en.wikipedia.org/wiki/This_Life
  2. Ultraviolet (writer worked on This Life and Jack Davenport appears in both)
  3. http://en.wikipedia.org/wiki/Ultraviolet_(TV_serial)
  4. The young guy, who is the new Doctor Who, is one of the Party Animals.

Devil Wears Prada
Gave it a go cause I couldn't find anything else in the library at the time. Ok show but it bent my sense of reality big time. That Anne girl has a smile like a crocodile.

Planet Terror
Needed to watch this again to wash DWP out of my brain. This Grindhouse hommage double feature is 'the bomb'!

Frost/Nixon
Was good but I don't think it deserved the acclaim that it attracted.
Must be American navel gazing again?


Tuesday, May 19, 2009

Creating experience exercise: Getting the word out there

Spent an interesting day being led through the intricacies of Web

Marketing today by Laurel Papworth, who is an industry expert in

online presence building.

As I result, I now have a Twitter account.

I've been avoiding getting involved in yet online presence but it was

a class exercise so bugger it.

So if your interested in linking up with me over Twitter, my profile is...

http://twitter.com/davetimperley



Sunday, May 17, 2009

This weeks movies...

Sweety
One of Jan Chapmans first flicks.
I really liked the weird little shots throughout it. Reminds me of David Lynch.
Lots of 'normal type people' tested by extreme events.

I Robot

Aussie director and I remember it being OK.
It's still OK.
I'm kinda getting sick of seeing Will Smith in films. Getting as bad as Tom Cruse.

The new Star Trek thang
It was a good ride. Bit boring cause you know that there is going to be a happy ending.

Nother 'time travel' type script device which really gets on my tits. Such a unimaginative and overused device to use in a Star Trek flick.
That said, they deliberately mention a parallel time stream, and make no effort to put history back on track, so I reckon the studio is using this movie to completely reboot the franchise.

They re-wrote Trekkie history so that they can take liberties with the characters and the environment.
There will be a lot more product (I heard rumours of a new TV show) arising from this little maneuver.

Went to see this cause I've been following the career of J.J. Abraham.

Liked Alias when it was on the tele.
Ages back I heard that John Cussack agreed to do Con Air, so that the studio would sign off on his personal project Gross Point Blank.
I reckon J.J. has done that same thing with this flick.

Possibly so he could make Cloverfeild, or maybe there is something else up his sleeve???

Moulin Rouge
We had a class recently where we were asked who hadn't seen this flick. I was the only one to put up my hand, so I thought that maybe I should make an effort.

I'm I the only one that found the adapted songs really distracting? I spent a few seconds at the beginning of each piece of music wondering where I had heard the song before. It was like a cinematic trivia night.
I don't mind musicals, and I think it's a shame that new songs weren't written specially for this show.

commercially it's genius. No need to wonder if the audience will like the songs or not.
Also, it's set in Paris, but where were all the Froggy accents?

The art design, and the music arrangements were inspired.



Last King of Scotland
Ok film.
I remember when when I was a kid, and Uganda and Amin were always in the news.

This weeks movies...




Sweety
One of Jan Chapmans first flicks.
I really liked the weird little shots throughout it. Reminds me of David Lynch.
Lots of 'normal type people' tested by extreme events.

I Robot
Aussie director and I remember it being OK.
It's still OK.
I'm kinda getting sick of seeing Will Smith in films. Getting as bad as Tom Cruse (or Tom Hanks) in that he is in so many films that I don't see the character anymore, I see Will Smith being chased by aliens or shooting gangsters or giving away money.

The new Star Trek thang
It was a good ride. Bit boring cause you know that there is going to be a happy ending.
Nother 'time travel' type script device which really gets on my tits. Such a unimaginative and overused device to use in a Star Trek flick.

That said, they deliberately mention a parallel time stream, and make no effort to put history back on track, so I reckon the studio is using this movie to completely reboot the franchise.

They re-wrote Trekkie history so that they can take liberties with the characters and the environment.

There will be a lot more product (I heard rumours of a new TV show) arising from this little maneuver.

Went to see this cause I've been following the career of J.J. Abraham. Liked Alias when it was on the tele.

Ages back I heard that John Cussack agreed to do Con Air, so that the studio would sign off on his personal project Gross Point Blank.

I reckon J.J. has done that same thing with this flick. Possibly so he could make Cloverfeild, or maybe there is something else up his sleeve???

Moulin Rouge
We had a class recently where we were asked who hadn't seen this flick. I was the only one to put up my hand, so I thought that maybe I should make an effort.

I'm I the only one that found the adapted songs really distracting? I spent a few seconds at the beginning of each piece of music wondering where I had heard the song before. It was like a cinematic trivia night.

I don't mind musicals, and I think it's a shame that new songs weren't written specially for this show.

commercially it's genius. No need to wonder if the audience will like the songs or not.

Also, it's set in Paris, but where were all the Froggy accents?
The art design, and the music arrangements were inspired.


Last King of Scotland
Ok film. I remember when when I was a kid, and Uganda and Amin were always in the news.

Friday, May 15, 2009

The second week of Story and Audience

The second week was where we took everything we learnt by dissected films in

the first week, and and built stories of our own.

What follows is the culmination for me of the two weeks.

Our final exercise was to create a trailer for our scripts and I'll post

that later.

Audience

Anyone who enjoyed Alien, Long kiss goodnight, and Kill Bill.



Three sentences

Hester, a young refugee interned in a detention camp, must discover the

strengths and talents she possesses after the protection of her father is

removed when he is badly injured by a camp guard.

Embarking on a journey she is tested by both the land and its people.

She arrives at the center of this lands society and exposes them to the

darkness their society harbors.



The world

- A country where refugees are interned, out of sight of the citizens

- Comfortable democratic society

- Prisons run by corporations in a Desert

- Most people with ‘half a brain’ travel through desert in airplanes

Characters

- Hester: (Animus) young woman, twenty one, dependant on her dad becomes

independent. Innately capable, she must become a hero.

- Father: (hero) strong, mechanic. Sacrificed in first act.

- Nanna Jo: (sidekick) older woman, becomes mother surrogate

- Jed: (trickster) enters in second act. Becomes Judas.

- Mo: (Anti hero) enters in second act. Becomes love interest.

Story and action beats

*First act*

*Introduction*

Hester On blimp with father looking after her.

Packed in with other refugees.

Her dad is single handily keeping the blimp airborne.

Blimp flying over the sea, is found by Australian jets.

The blimp is forced to follow the jets inland, and to touch down next to an

internment camp.



We follow the blimps passengers through processing.

They meet Nanna Jo who is a long time internee who has befriended them.



*In camp*

Hester witness’s young women in the camp being abused by the guards. Only

her father’s influence, due to his uncanny ability with engines keeps her

safe.

It becomes apparent that Nanna Jo is in love with Hester’s Father



Hester causes problems for other prisoners through her self centeredness and

becomes outcast.

There is a secretive game the kids play in the compound which she joins,

excels at, and ultimately ruins for the other kids.

Hester is forced to work in the camp garden and there she causes trouble.

In both cases she is rescued by her dad or Nanna Jo.



Catalyst for Hester Is losing the protection of her father forcing her to

escape the camp into the unknown



Her father is working on the camps airplanes. Hester is helping him as no

one else in camp likes her.

There he suffers an accident and can’t protect her anymore.

She is driven to act and escape as she has made enemies of the guards and

the other prisoners.



*Second act*

*Loses everyone from her previous life*

*Environment: desert*

Nanna Jo and Hester steal one of the camps planes and flee into the desert.

Nanna Jo has decided that something must be done to free the other

detainees..

Hester just wants to get her dad back and to be safe.



They spot a car that’s broken down and two bodies nearby

Nanna Jo insists that they land and help what turns out to be two men (Mo

and Jed.)



They camp for the night.

In the morning they are caught by police.

Nanna Jo is killed

Hester is helped to escape the cops by Mo and Jed, and Hester is obliged to

travel with them.

She starts to get interested in Mo.



*Psycho farmer*

*Environment: agricultural *

Farm run by small family.

Hester and Co. stop to get fuel and water.

Mo’s intention is to rob the farmer.

Farmer captures Mo in the act.

Jed takes charge and organizes to free Mo, but it's Hester’s insight that

allows the pair to prevail.

Jed holds the wife hostage. Hester holds a gun to the dog’s head (she's

worked out that the farmer loves his dog more.)



*Love blooms*

Hester becomes romantic with Mo and is ‘on top of the world.’

Jed is left sitting in cockpit drinking himself stupid.

There is a short period of ‘happy families’ as they fly towards the city.

Mo and Jed feel that the city is where their combined destinies lie.



*Betrayal*

*Environment: urban

*

As they approach the city, Jed (possibly jealousy?) betrays Hester and Mo to

the law.

Despair as they are incarcerated in refugee slave labor camp.

Split apart and forced to work and witness atrocities.



*Third act*

*Escape*

Hester befriends a family who give her an opportunity to be with Mo.

A totally ‘take charge and get things done’ Hester and Mo resolve to escape.

They are successful in part to Mo’s sacrifice and Hester ‘resolves to

fight.’



*Leader is born*

Traveling by car which allows us to insert car chase.

She leads the family to the radio personality.

Publicizes atrocities in camps.

Exposes slave labor.



Original except

*Camp Airfield: Mid day*

The airfield is a small strip laid out on the sand outside the camp. There

are a few buildings, and several planes lined up along the runway.

Hester sprawls across a section of aeroplane wing. Her plane is parked in

the middle of a line of identical planes.

She’s around 21, short roughly cut hair.

She looks back at the barbed wire fence, glad to be looking at it from the

outside ‘looking in’ for a change.

She would rather look back at the camp, then out into the desert which

stretched away behind her.

Her dad grunts gently beside her, arms and head buried in the internals of

the planes engine.

‘Hand me a wrench honey’ his muffled voice floats back to her.



She drops off the wing onto the sticky tarmac of the runway

Looks into the deep shadow cast by the wing, her eyes adjusting to the dark,

searching for the tool chest

She spots the chest, and also notes the silhouette of a camp guard standing

just behind it.



‘Hello,’ she says, ‘checking up on us?’

‘Just you HONEY heh’

‘Kay’



She walks over to the tool chest on the ground in front of the guard, bends

over and fishes out a wrench.

‘Okay’ her dads voice speaking to the pilot, floats down to her ‘turn it

over.’

The Engine above them choughs, prop spins once, vibrating to a halt, engine

splutter.

She feels the rush of air driven backwards by the props, and looks back over

her shoulder at the blades



Engine chough, prop spins once, engine splutter, fading blast of air.

Hester spins on her heel and scrambles up a ladder propped against the back

edge of the wing.

Chough, spins, splutter, fading blast of air.

Hummmmm said her dad. He was standing on the front edge of the wing watching

the blades.

‘What’s up poppy?’ she came up to stand next to his left shoulder.

Chough, spins, splutter, fading blast of air.

Hummmmmm.

‘Yeah, what’s up?’ said the guard who had materialised next to his right

shoulder, which he violently shoved with his own.

Chough, spins, splutter, fading blast of air.

Hester’s dad, caught off balance by the shove stumbled forward, pivoted to

keep his footing on the edge of the wing,

Chough, spins, splutter, fading blast of air.

He leans back and the leading edge of the prop smacks into his hip throwing

his body off the back of the wing.

Chough, spins, splutter, fading blast of air.



*Camp Infirmary:*

Dark inside but lots of daylight spilling in through the windows



Dad is lying on a bed roll

Covered from the shoulders down by moth eaten blanket

His dirty feet poke out the bottom

Hester is kneeling next to him



Nanna Joe walks in and kneels beside her.

‘The guards are throwing lots in the guard room sweetheart, we have to go

now.’

‘What?’

‘We better make the most of what your dad taught you and get out right now.’



They leave the infirmary

Hester following along behind as Nanna Joe strides confidently forward.



*Camp Water tower:*

This tall metal structure is near the parameter fence



Nanna Joe walks between the straight metal legs which hold aloft a big water

tank.

She crouches down by the small pump which drives bore-water up into the

storage tank and opens its pressed metal casing.

Reaching inside, she undoes a bolt on the fly wheel, and unscrews the cap

off fuel tank and drops it inside.

Hester watches her closing the casing and Squeezes the padlock shut.

The two walk over to the towers thin access ladder, and started to haul

themselves up



Two Guards patrolling the fence hear the pump engine purring and walk over.

One of them peers into the internals of the pump casing through the vent

slots

Sparks bounce around inside the box with each turn off the flywheel.



Putt, spray of sparks.

Oh shit, it's going to do it again!

One of the guard’s runs off, the one left behind starts to kick at the

padlock

Putt, spray.

Up on the tank Hester and Nanna Joe crouch down on a on the narrow metal

mesh foot walk

Hester is helping Nanna Joe loosen the bolts holding the securing bands that

encircle the tank

This is going to weaken the skin of the tank sweetheart so that it splits

more easily’ says Nanna

‘Kay’

Putt, spray.

One of the sparks bouncing around inside the pump casing lands in the fuel

tank

The pump explodes blowing the guard backwards

One of the three legs holding the tank aloft is now missing a section

The tank begins to lean. Creases appear in the base of the remaining legs

Sounds of tearing metal radiates out through the camp.



The tower falls over, across a section of the parameter fence. The tank

ruptures on impact with the ground.

Hester and Nanna Joe are washed forward, surfing on a section of tank.



Prisoners drawn to the noise run through the section of crushed fence but

stop out side the compound and start dancing about.

Hester and Nanna Joe disappear into the line of planes on the air field.

*Camp airfield

*

*Steal a plane

*

They break into one of the planes

Hester sits in the pilots chair and starts up the plane

Nanna Joe is bustling around getting stuff settled

Hester has to push the throttle with her foot, by bracing against her chair

to force it open

The plane surges forward onto the runway

Nanna Jo is in the hold dropping grenades out the open door as they run down

the runway

Explosions pepper the runway as the pull up into the sky

‘We have to get to the city and find people who will listen’ says Nanna Joe

Deep Desert: late afternoon

Flying for hours



See a crashed plane



Bit more flying and they see two bodies lying out in the desert



They land and drag the unconscious two men into the planes hold.



Have something to eat, and Fall asleep under the planes wing.



*Government office: night

*

The minister is shown video of the demolished fence and the dancing

detainees.

‘Well at least most had enough sense not to strike out into the desert’

comments the minister.

‘Quite imaginative really. Can’t tunnel through sand so remove a section of

the fence and walk out.’

‘Yes sir’ replied the head of desert police



*Deep desert: morning

*

Hester wakes and watches three cop planes landing around her

Armed cops jump out of the planes and walk over, forming a rough ring

encircling the women

Hester and Mama Joe are made to kneel on ground

Cop posturing and they shoot Mama Joe



Off in the distance behind the action, observant viewers will see one of the

pilots jerk in his cockpit and disappear.



‘Why?’ sobs Hester

‘Shot while escaping darln, just like you will be. Cept we need to keep you

healthy till Jake gets here. He won the sweeps.’



Pilot leaves the plane and walks over, stands in the circle with the other

men

Suddenly one of the cops doubles over, then another, and a third. Then all

the cops are running around trying to find cover.



The pilot merges into the chose, appearing at random monuments behind cops

under cover of the sniper and killing them.

Two of the cop planes take off and are circling to attack the plane that is

still grounded



The pilot walks up to Hester who is still kneeling on the ground next to her

mother. Shes staring at the ground and doesn’t notice that He’s pointing his

gun at her.

Hester suddenly looks up at him and starts to run away.



‘Hay hay,’ he flips up the mirrored visor,

It was one of the guys that they had picked up.

‘Be calm, I’m going to stand here pointing this gun at you so that these

pistol packing lawmen think they’ve got you covered, and leave off shooting

in this direction.’ He motions with his hand to the gunfight raging around

them.

‘Who did you think was causing all this panic in the ranks?’

Hester shakes her head.

‘My brother is over in that jet’

He pointed to the cop plane that still sat on the sand. It explodes as one

of the airborne jets strafed a line of shells through its mid section

‘Well, not at this moment anyways.’ He turns back to her and grins.

‘We better get our bird in the sky quick smart, cause those planes will

circle about and be back over here to clean us up.’

Hester looks up at him.

‘Look you have a choice, sit here and die next to the old lady, or get that

plane in the air and help me smack those turkeys back.’



A police Sargent breaks cover from behind a dune and runs over to the pair.

Jed drops his visor and turns to face him.

‘You've got one hell of a “pair” Jonesie. Shoot her, and concentrate on

taking down the nut that's out there.’

Jed nods and shoots the sergeant.

Hester watches the mirrored visor turn back to her.

It tilts a silent question.

She stands and walks back to her plane



*Insert air battle*

They shoot down the remaining cop plane. The brother sits in the co pilot

chair giggling and fires the weapons but its Hester’s flying that allows

them to win



They land amongst the carnage.

Exiting the plane they locate the other brother who is searching through the

bodies of the dead cops.

‘Hay Mo, you still breathing’ yells out Jed

Mo stands and looks at them.

He’s tall, wiry, and Hester reckons he’s good looking.



Wednesday, May 13, 2009

Character revelation exercise for Story and Audience

City of Lost Children

Dissecting a character

*Character: One*

Need/want/goal: Bonding. To be part of a family.

Actions: protect, track, retrieve, pursue, mourn, fight, extricate, endure,

*Obstacles:*

- His grief at allowing Little Brother to be abducted.

- Required to discover the hiding place where little brother has been

taken

- The Cyclops organisation who have abducted Little Brother.

- The Siamese twins who want his strength

- A floating mine field

- A 'maze like' fortress

- psychosis inducing fleas

- Multiple clones of mad professor



*Aspects of character revealed:*

- His dependence on other peoples strength, love, and intelligence.

- Need of a family

- Persistence

- Innocence



Sunday, May 10, 2009

this weeks movies...

Like Water for Chocolate
Used to have the book at one time.
Haven't seen this in a looooong time, so I decided to do this flick as a school exercise.



Still a great movie but the soundtrack has turned out to be really disappointing.


Like someone bashing out cliques on a Casio keyboard.

Other great food type movies...



tampopo

La Grande Bouffe


The Cook the Thief His Wife & Her Lover


Run Lola Run






Great electro sound track



Jamon Jamon
Most memorable 'scene I seen' in ages is two guys striped off naked, and fighting a bull in the dark.

Also Penelope Cruise has very nice breasts. In fact, every woman in this flick has lovey bosoms. This also includes a couple of the guys.



Ten Canoes.
Great Aboriginal flick.
Like the mini doco's on how to build a canoe and spears.


Edward Scissor Hands.
Never seen it before.
Don't know why I got this out.

I think someone at school mentioned it.

It's ok.




This weeks movies...








Like Water for Chocolate
Used to have the book at one time and I think this was one of the first cinema flicks I saw with sub-titles?

Haven't seen this in a looooong time, so I decided to do this flick as a school exercise.
Still a great movie but the soundtrack has turned out to be really disappointing.
Like someone bashing out cliques on a Casio keyboard.

Other great food type movies... 
Tampopo
La Grande Bouffe 
The Cook the Thief His Wife & Her Lover


Run Lola Run
Great electro sound track

Jamon Jamon
Most memorable 'scene I seen' in ages is two guys (one being Javier Bardem) striped off naked, and fighting a bull in the dark.
Also Penelope Cruise has very nice breasts. In fact, every woman in this flick has lovey bosoms. This also includes a couple of the guys.


Ten Canoes
Great Aboriginal flick.
Like the mini doco's on how to build a canoe and spears.

Edward Scissor Hands
Never seen it before.
Don't know why I got this out.
I think someone at school mentioned it.
It's ok.


Thursday, May 7, 2009

Day one exercise for Story and Audience

The past two weeks, I've been doing the Story and Audience module.

First up, the teacher has been taking us through some steps in putting

together a story for a film.

Our first homework was to distill a movie plot into three sentences.

This is useful for 'pitching' a script, and it also helps focus the writer

on what important themes they want to express.

The 'three act' model is pretty universal in western films.

The film I'm examining is Love Serenade.

*Distilled into three sentences...*

Dimity, a young woman bored with rural town life, finds her curiosity

sparked by 'big city escapee' DJ Ken Sherry who has moved in next door.

Unfortunately her sister has also become desperately intent on capturing the

attentions of the smooth talking neighbour.

Competition between the two women escalates until Dimity is usurped in Kens

bed, and she realises that her sister is more important to her then this

aging playboy, so she removes his presence in their lives permanently.



*The emotional journey of Dimity (main character.)*

Words I would use...

Curiosity, desire, fascination, betrayal, retaliation.

Words from yesterdays chart...

Joy, grief, anger.



Monday, May 4, 2009

Last week I was watching...

*Twin Peaks Fire Walk with Me*

*Ultraviolet*

British vampire show and pretty good.

*The Year my Voice Broke*

As good as I remember it. Great Ozzie 'coming of age' film.

*Tampopo*

Brilliant Japanese flick bout food.

*Fargo, City of Lost Children, and Love Serenade*

For school

*Punch Drunk Love*

Brilliant!

Was directed to this by our Audio teacher Mark, for it's interesting sound

track.